House Of The Seven Gables :: essays research papers

How does an author’s individual history or social foundation impact what the person expounds on? Are history and writing related? I accept that numerous writers a very affected by their own experience and the subjects they expound on. Writers expound on what is recognizable. Writers expound on something that they feel unequivocally about or love. I likewise feel that history and writing are firmly related. Numerous extraordinary books of this world have their premise in accounts of the past, genuine stories taken from history. For a certain something, writers ordinarily expound on what they definitely think about or what they see, or what they involvement with life. They frequently expound on the historical backdrop of their family, town, or whatever place they live in. Books where the writer comprehends his subject and feels great and energetic about it are the most fascinating. At the point when an author’s composing has been impacted by their own history and social foundation, the essayist gets it. It’s likewise a lot simpler for a writer to expound on something having to do with their own history or social foundation. On the off chance that we know about a subject it is a lot simpler to persuade our peruser of the ‘experience’ or ‘story’ that is being expounded on. In spite of the fact that Nathaniel Hawthorne’s purposeful anecdote, The House of Seven Gables, was not so much evident, its exceptional piece had to do with his own history and his social foundation. His connection to the house was from his cousin Phoebe and the thoughts regarding the witch preliminaries were on the grounds that he was living in the very time they were occurring. In this way, I do believe that the individual history and social foundation influence what the writer expounds on whether the book be fiction or genuine, yet more often than not, true to life. A case of a writer I can concoct where I emphatically think their own history and social foundation essentially impact what she expounds on is Amy Tan. I have perused two of her books, The Joyluck Club and The Kitchen God’s Wife. She expounded on Chinese Americans living in San Francisco. A subject she thinks a lot about and has survived. Her books are so entrancing on the grounds that she knows her subject well. They are books truly, yet we can believe that from multiple points of view this is the thing that a Chinese mother living in San Francisco may have carried on like or said. History and writing are additionally connected by method of story.

Cell Phone Use While driving Essay

While passing through the city you see numerous on their mobile phones while driving. When out and about, or away from my friends and family we generally need to ensure that we are in contact with them if there should be an occurrence of a crisis. Many express that killing your telephone is critical to being a more secure driver. I can't help contradicting that announcement on the grounds that your family needs you whenever of the day and that is the reason phone use ought to be permitted while driving. Albeit some state that chatting on the mobile phone while driving is risky, I differ in light of the fact that chatting on the wireless is similarly as perilous as turning on the radio while driving, conversing with the traveler, taking a gander at as far as possible sign, eating food, or putting on cosmetics while driving. No one needs to be advised when and when not to utilize their own phone, would on the off chance that you could possibly utilize your vehicle when you were let you know had the option to drive it. Individuals will won't be advised when and when not to utilize their cellphones, along these lines it is highly unlikely to uphold this law. Some state that chatting on the PDA While driving is risky. â€Å"Talking on the mobile phone makes you 1.3 occasions bound to crash than if you were a non diverted driver.† This law ought not pass in light of the fact that a driver that is impaired, is undeniably more perilous than a driver who is chatting on her wireless, yes there are fatalities when individuals are on their telephones. there was 3,000 passings because of the utilization of cellphones while driving, contrasted with the 10,000 passings that alcoholic driving has caused in one year! Consistently in America, another 28 individuals bite the dust because of alcoholic driving accidents. (MADD.org) Almost at regular intervals, an individual is harmed in an alcoholic driving accident. (MADD.org) Enforcing a greater issue, for example, inebriated driving is the thing that we ou ght to concentrate on as opposed to talking while at the same time driving. I would have a definitely more concern driving close to an alcoholic driver other than someone that is chatting on the mobile phone instead of someone who is tanked. A few people need to figure out how to call and drive, some are obviously better than others at talking while at the same time driving. perhaps we should train this in drivers ed classes, and show individuals how to be more secure while driving. â€Å"TSA’S 100 vehicle study showed that if a driver takes his or hers eyes off the street for over two seconds the danger of them slamming is enormously expands the dangers of crashing.† I can't help contradicting this announcement, since it might make you bound to crash, however a ton of things divert you out and about, for example, the radio, food, cosmetics, individuals out and about and so forth. Some state that driving didstracted is one of the most dangerousâ things that you can do, yet that isn't right as I would like to think, being diverted can be hazard ous yet contrasted with alcoholic driving or driving impaired, being occupied is a little issue, being occupied while driving is perilous however on the planet there are over twofold the fatalities as diverted driving has. We should concentrate more on alcoholic driving than diverted drivers. Additionally the force of the call matters, on the off chance that you are chatting on the telephone and in an extreme discussion you are twice as liable to crash the vehicle. Yet at the same time alcoholic driving is significantly more risky than talking while at the same time driving. There are a few varieties to the messaging/calling while at the same time driving law that numerous americans are attempting to implement today that are to some degree sensible and to some degree not. â€Å" Turning your PDA off and permitting calls to go to voice message while you’re driving is critical to more secure driving† this statement expresses that you should keep your telephone off consistently while driving. I can't help contradicting the way that I ought to be told when and when not I can utilize my telephone. For instance, would in the event that it is a crisis call and it can not pause? All telephone tra nsporters (Verizon, Sprint, T-Mobile and so forth.) need to have a drivers mode setting on their telephone I figure, the drivers mode would work this way, if a relative or a crisis contact calls you more than once, the call will experience, yet on the off chance that they just call you once the call will be halted. This is one incredible option in contrast to sparing lives out and about without removing the benefit of utilizing your wireless while driving. Individuals in america will react better to this new law rather than insubordinate activities from the network. â€Å" Letting drivers realize laws will be upheld has been devoloped to uphold tanked driving, speeding, safety belts etc.† Yes, I concur that attempting to implement the mobile phone law will help forestall crashes, yet how would you authorize this law, by conversing with the telephone transporters to put a drivers mode on each PDA in America is the most ideal approach to authorize this standard. Here and there you have to accept significant calls while you’re in the vehicle, that is the reason this law ought not be implemented, there are ordinarily in the vehicle when you don't have to accept calls, surf the web, message your companions while driving. Doing this sort of stuff while driving is terrible and risky that is the reason many telephone organizations ought to have the drivers mode setting on their telephone gadgets. There are numerous fatalities consistently and messaging and driving isn't the primary concern we should concentrate on.

Woman in White

Ladies' Rights Collins hammers home the point that ladies in England, paying little mind to their social standing, their training, their ethical conduct or their funds, have barely any lawful rights for security. Laura Fairlie is ransacked of her personality and her legacy by a ravenous, corrupt spouse. Mrs. Catherick has her notoriety demolished by a misconception that disregards her separated and helpless before the man who caused the misconception. Anne Catherick is dishonestly detained in a psychological foundation, just like her stepsister Laura Fairlie.Both escape without the assistance of any man and remain in isolation. Noblewoman Eleanor Fairlie Fosco is denied her legitimate legacy by her more established sibling Philip essentially in light of the fact that he objects to her marriage. This drives her to wrongdoing to restore her legacy. Laura Fairlie is attacked by her significant other and finds no assistance from the law to secure her, and even her watchman, Frederick Fai rlie,†¦ An Analysis of Female Identity in Wilkie Collins' The Woman in Whiteâ â This article takes a gander at the issue of female character in Wilkie Collins' The Woman dressed in White.It dissects two key scenes from the novel to uncover how development and style definitely impact the portrayal of personality, just as evaluating the content according to classification, especially the job of the Gothic in Collins' account. A predominant subject in The Woman dressed in White is imprisonment. Both Anne Catherick and Laura Fairlie are bound in a psychological refuge by Sir Percival Glyde. The epic adequately adjusts customary Gothic shows in its portrayals of control and the female characters' jailer.The Woman dressed in White has a place with the class of ‘sensation' fiction, Collins' epic being viewed as imaginative as it is the first, and apparently the best, of the English sensation books. Sensation fiction is commonly viewed as a crossover kind in that it consolidat es the components of sentiment natural to perusers of Gothic fiction and the residential setting recognizable to perusers of pragmatist fiction. In The Woman dressed in White the fear of eighteenth-century Gothic fiction are moved from their extraordinary medieval settings, for example, those utilized in the books of Ann Radcliffe, and moved in contemporary nineteenth-century English society.Melodrama is a kind firmly identified with melodrama. A portion of the highlights of acting, for example, extraordinary conditions, circumstances, activities; dull plottings and tension, are plainly obvious in the storyline of The Woman dressed in White. The character of Laura Fairlie comes nearest to a run of the mill exaggerated champion, particularly as far as physical appearance, being youthful, reasonable and delightful. She additionally exemplifies both immaculateness and weakness. Anyway her job in the story is inquisitively inactive as she is denied a conventional account voice.Her detac hment is the partner of her relative Marian Halcombe's movement. Marian is a perplexing person whose portrayal falls outside customary artistic or social models, incompletely manifested in the striking physical complexity between her face and body. Walter educates the peruser that her figure is â€Å"tall, yet not very tall; attractive and well-developed†¦ her midriff, flawlessness according to a man† (p. 31). However her facial highlights are to some degree conflicting with her body: â€Å"the dull down on her upper lip was just about a mustache. She had an enormous, firm, manly mouth and jaw† (p. 32).The proper nature of Walter's depiction utilizes sensational methods yet the unintelligible substance of this portrayal seems to challenge exaggerated shows. Sensation fiction's accentuation on plot implies that it frequently relies upon privileged insights, which appear to be endless: as when one mystery is uncovered, another is uncovered. The nearness of insider f acts unavoidably welcomes seeing, a move Marian decides to make in one of the novel's most thrilling scenes, while, expecting that her stepsister's vocation might be in harm's way, she keeps an eye on the reprobates Sir Percival and Count Fosco in the dead of night.A disallowing climate is quickly settled with a quality of threat obviously clear in the approaching precipitation, depicted as being â€Å"threatening†, while the descriptive words â€Å"black†, â€Å"pitch† and â€Å"blinding† are utilized to inspire the imperviousness of the night's inescapable â€Å"darkness†. Marian's choice to tune in at the window is by all accounts somewhat dictated by Count Fosco's assessments of her â€Å"sharpness† and â€Å"courage†. Later on in his and Percival's discussion, Fosco affirms that Marian has â€Å"the foreknowledge and goals of a man† (p. 30). The shedding of her womanly clothing so as to encourage her situation on the rooft op goes some way or another to merge this way of life as a ‘masculinized lady', a sort genuinely normal in sensation fiction. Anyway Marian is fairly at chances with the champions of most sentimentalist books in her major good honor, manifested in this scene with her excitement to discover one factor to legitimize her ensuing activities to herself: â€Å"I needed however one thought process to authorize the demonstration to my own conscience† (p. 24), discovering it as her relative: â€Å"Laura's respect, Laura's joy †Laura's life itself †might rely upon my speedy ears and my reliable memory tonight† (p. 324). The genuine entries enumerating her keeping an eye on Percival and Fosco are particularly tense, incompletely through Marian's circumstance †her situation on the rooftop is unstably near the Countess' room and it is evident, from the light behind the window, that the lady isn't yet in bed.The passage that reveals this reality to the peruser i s made out of sentences including various short provisos, some of just two words long, just as a bountiful utilization of runs †expressive impacts that prevail with regards to bringing the peruser nearer and nearer to the â€Å"strangeness and peril† (p. 328) of Marian's circumstance, and the â€Å"dread†, which she â€Å"could not shoulder† (p. 328). Likewise Collins' utilization of direct discourse in portraying the lowlifess' discussion solidifies this impact, and included with the irritably Gothic feeling, prevails with regards to bringing the peruser into awkwardly nearness to Marian's present situation.The style of story a creator embraces unavoidably impacts the idea of their characters. In The Woman in White we see the characters of female heroes molded by both formal and relevant choices. This article has gone some route into uncovering how personalities are developed through a mix of story strategies and kind shows, just as the genuine substance o f Collins' tale, for example, different characters and settings. The Woman dressed in White was an unfathomably well known novel.Collins' astonishing production of anticipation made for a hugely effective work among the Victorian people. SENSATION FICTION: Contemporary Reviews and Responses The accompanying surveys of Victorian sensation fiction are masterminded by subject and creator. The surveys included here are just a little testing of Victorian response to and excitement for sensation fiction. In future, this assortment will be increasingly intensive and will include full audits as opposed to chosen sections.Sensation Fiction in General At no age, so far as we know, has there yet existed anything looking like the unprecedented surge of books which is currently pouring over this land †positively with preparing results, most definitely. There were days, halcyon days †as one despite everything may find out from the tattle of the seniors of society †when a writer was a characteristic interest, perceived and gazed at as turned into the uncommonness of the phenomenon.No such thing is conceivable these days, when a great many people have been in print one way or other †when stains of ink wait on the prettiest of fingers, and to compose books is the typical state of an enormous area of society. Margaret Oliphant on Count Fosco from The Woman dressed in White: The brutal energizer of sequential distribution †of week after week distribution, with its need for successive and quick repeat of interesting circumstance and alarming episode †is the thing of all others destined to build up the germ, and carry it to more full and darker bearing. What Mr.Wilkie Collins has finished with fragile consideration and relentless hesitance, his devotees will endeavor with no such caution. No heavenly impact can be envisioned as directing the introduction of [the sensation writer’s] work, past the market-law of interest and gracefully; no more i nterminability is longed for it than for the designs of the ebb and flow season. A business environment glides around works of this class, fragrant of the manfactory and the shop. The open needs books, and books must be made †such a large number of yards of printed stuff, sensation-design, to be prepared by the start of the season.H. L. Mansel, Quarterly Review, 113 (April 1863): 495 †6. Sensation Fiction and the Woman Reader [Today’s courageous women in English books include] Women driven wild with adoration for the man who drives them on to distress before he concurs that expression of consolation that conveys them into the unparalleled paradise; ladies who wed their men of the hour in attacks of sexy enthusiasm; ladies who ask their darlings to cart them away from the spouses and homes they abhor; ladies †¦ who give and get consuming kisses and berserk grasps, and live in a curvy dream. †¦ the dreaming lady †¦ aits now for fragile living creature a nd muscles, for solid arms that hold onto her, and warm breath that excites her through, and a large group of other physical attractions which she shows to the world with a beguiling bluntness. On the opposite side of the image, it is, obviously, the golden hair and undulating structure, the warm fragile living creature and sparkling shading, for which the young murmurs. †¦ this excitement for physical sensation is spoken to as the n

Understanding Assonance 6 Examples, Analyzed

Understanding Assonance 6 Examples, Analyzed SAT/ACT Prep Online Guides and Tips Breaking down writing can be entirely befuddling, particularly if you’re perusing something that’s truly entangled. That’s why it’s essential to comprehend artistic gadgets, which are apparatuses intended to assist you with opening the significance of a book. Consider artistic gadgets like apparatuses in a tool stash. Every gadget has an alternate use, so it’s significant that you have a lot of various choices to pick from...especially when you’re crunched for time, such as during an AP Literature test. That’s why we’re going to instruct you all that you have to think about sound similarity, which is a scholarly gadget that enables an author to make both beat and tone. To do this, we’ll: Characterize sound similarity and discussion concerning why it’s accommodating in examining writing, Walk you through sound similarity models in verse and composition, and Give you four master tips to assist you with finding an investigate sound similarity in any content. Are you game? Let’s make a plunge! What Is Assonance: Definition and Meaning What is sound similarity, precisely? Fortunately, the sound similarity definition is truly direct! Sound similarity is characterized as the reiteration of comparative vowel sounds inside words, expressions, or sentences. (Recall that vowels are an, e, I, o, u, and once in a while y.) When a similar vowel sound is rehashed on different occasions in closeness, you’ve discovered sound similarity. The most ideal approach to see how sound similarity functions is to see it in real life. Let’s take a gander at the accompanying sentence: The noisy wheel gets the oil. Peruse this sentence a couple of times. What vowel sound do you hear more than once? The appropriate response: the long e sound (which you hear in words like â€Å"eek† and â€Å"creek†). Here’s the sentence again where we’ve bolded the rehashed vowel sounds: The noisy wheel gets the oil. As should be obvious, the long e sound rehashes multiple times in the line, which is a typical case of sound similarity! Need another model? Look at this clasp from My Fair Lady, which has an entire melody that spins around sound similarity: Did you hear the sound similarity in the line, â€Å"the downpour in Spain stays for the most part in the plain†? Eliza Doolittle truly assists that with aching â€Å"a† vowel sound sparkle! How Does Assonance Help You Analyze Literature? Since you realize what sound similarity is, you’re most likely considering how it causes you examine writing. There are three significant ways sound similarity works: by making mood, causing to notice explicit words, and by molding the tone-or sentiment of the work. How Assonance Creates Rhythm Since sound similarity includes reiteration, it tends to be utilized to make musicality. This is particularly significant in verse, where the musicality regularly influences the importance of the sonnet. Take these lines from Edgar Allen Poe’s â€Å"The Raven,† for example: Also, the Raven, failing to flit, despite everything is sitting, despite everything is sitting On the colorless bust of Pallas simply over my chamber entryway; There’s a lot of sound similarity here, particularly with the short â€Å"i† sound, which we’ve featured in strong above. The sound similarity gives the sonnet a drumming, walk like mood that imitates the startled beating of the speaker’s heart! How Assonance Draws Attention to Specific Words Also, the monotonous idea of sound similarity causes the reader’s to notice those words and expressions. Sometimes, it very well may be what could be compared to the author waving a warning at the peruser, flagging that there’s something significant going on in that piece of the content. Let’s take a gander at the initial two lines of William Wordsworth’s â€Å"Daffodils† to see this in real life: I meandered forlorn as a cloud That coasts on high o'er vales and slopes, Here, the sound similarity is in the long â€Å"o† sound, and it causes you to notice a significant analogy in the sonnet. In this correlation, the speaker envisions himself as a â€Å"lonely† cloud that â€Å"floats† high â€Å"o’er† the scene. Through sound similarity, the speaker uncovers that he considers himself to be discrete and separated from his general surroundings. How Assonance Shapes Tone and Meaning Authors likewise use sound similarity to help make tones, or sentiments, in their work. By hanging together various words and vowel sounds, authors can bring out everything from bliss to fear. Here’s a case of this at work in Dylan Thomas’ â€Å"Do not go delicate into that great night†: Mature age should consume and rave at close of day; Anger, rage, against the withering of the light To perceive how this makes a tone, give perusing this entry a shot boisterous. The sound similarity of the long â€Å"a† causes you to accentuate the sound as you read it, particularly since those are additionally focused on syllables. (Not certain what a focused on syllable is? Look at our manual for predictable rhyming.) The sound similarity makes these lines sound commanding, which adds to the lines’ unshakable practically frantic tone. With regards to verse, deciding a poem’s tones is a significant advance to revealing the work’s subjects and messages. On account of Thomas’ sonnet, the tone of these lines causes us see how Thomas feels about death. For him, demise isn’t something an individual ought to acknowledge latently they should battle against it and hold onto life as far as might be feasible. So in this occasion sound similarity encourages us decide the poem’s tone, which thus drives us to one of the poem’s significant topics! Sound similarity Examples in Poetry Sound similarity is a quite normal artistic gadget in verse, particularly on the grounds that it assists writers with forming a work’s musicality, rhyme, tone, and topic. Let’s read one more sonnet to perceive how sound similarity models assist us with breaking down a sonnet and its subjects. â€Å"The World Is Too Much With Us† by William Wordsworth The world is a lot with us; late and soon, Getting and spending, we ruin our powers;Little we find in Nature that is ours;We have parted with our souls, a corrupt boon!This Sea that exposes her chest to the moon,The winds that will be crying at all hours,And are up-accumulated presently like dozing flowers,For this, for everything, we are out of tune;It moves us not. - Great God! I'd preferably beA Pagan nursed in a doctrine outworn;So may I, remaining on this lovely lea,Have glimpses that would make me less forlorn;Have sight of Proteus ascending from the sea;Or hear old Triton blow his wreathã ¨d horn. At the point when you break down a full sonnet, there’s a decent possibility that sound similarity will just happen in specific pieces of the work (as opposed to from beginning to end). So don’t alarm in the event that you just discover sound similarity in a couple of lines. Recollect that sound similarity is regularly used to cause you to notice a particular second or set of words, so simply consider it a piece of information to peruse that segment somewhat nearer. In Wordsworth’s sonnet, sound similarity happens in the absolute starting point of the sonnet with the long â€Å"a† and toward the finish of the sonnet with the long â€Å"o†. Let’s investigate the poem’s last three lines: Have glimpses that would make me less pitiful; Have sight of Proteus ascending from the sea;Or hear old Triton blow his wreathã ¨d horn. This sonnet is about how individuals have gotten excessively enmeshed with human progress (that centers around â€Å"getting and spending†) and have put some distance between nature. The sound similarity in last lines accentuate the poem’s topic and help strengthen the piece’s tone. The long â€Å"o† adds a distressed sound to the closing lines, which emphasizes the forsaken tone of the sonnet. The sound similarity additionally strengthens the speaker’s conclusion that the method of the past is superior to life in the present. By referencing Proteus and Triton, two Greek divine beings, the speaker features how the modernization of the world has made it lose more than its association with nature: it’s lost its marvel and secret, as well. Sound similarity Examples in Prose While sound similarity is generally regular in verse, you can likewise discover sound similarity in exposition. In composition works like books, short stories, and true to life, writers use sound similarity to make their work progressively clear. It enables their plans to jump off the page, and it makes tones and emotions that resound with perusers (simply like in verse)! Here’s a sound similarity model in writing that shows how it can function outside of verse. Model : A Portrait of the Artist as a Young Man by James Joyce James Joyce’s A Portrait of the Artist as a Young Man recounts to the narrative of the strict and scholarly arousing of Stephen Dedalus, a youngster who esteems magnificence and workmanship. All through the book, Stephen questions and dissidents against the Catholic and Irish shows of his youth, and he in the long run leaves Ireland for Europe. Given Stephen’s love of craftsmanship, it’s nothing unexpected that the book regularly depends on graceful methods to recount to his story. Joyce regularly utilizes sound similarity, which we find in the accompanying line: Delicate language gave from their spitless lips as they washed in low circles all around the field, twisting here and thither through the weeds. The sound similarity here originates from the reiteration of the short â€Å"i,† which happens multiple times in this one sentence! The sound similarity copies the sound of murmuring, which assists perusers with encountering the â€Å"soft language† Joyce is expounding on. Sound similarity makes this sentence wash â€Å"in low circles round† the peruser, too-which adds to the tempting tone of this short entry. 4 Expert Tips for Analyzing Assonance Since you realize what sound similarity is, here are a couple of master tips to assist you with discovering sound similarity and use it to examine writing like a professional! Tip 1: Read It Out Loud Sound similarity is something you hear, as opposed to something you see. While you can search for comparable vowels in words, English is a str

Why Good Writing Matters

Why Good Writing Matters Why Good Writing Matters Why Good Writing Matters Donald Sutherland (you might know him from such little-known films as The Hunger Games and The Dirty Dozen) recently published an article in the Globe and Mail about the Canadian Government’s controversial decision to deny voting rights to Canadians who don’t reside full-time in Canada. His article was shared over 90,000 times, and sparked a debate across multiple news and social media sites. You might think that the days of long form editorial essays are over, replaced by quick texts, abbreviated slang, and 140 character tweets, but thankfully, that’s not the case! Mr. Sutherland’s now infamous contribution to the Globe and Mail only goes to show how much power writing has in our society. His essay sparked a nationwide debate that involved people of all generations. It reminded us that writing still has the power to inspire, educate, and force change on a global scale. You might be thinking: what does this have to do with me? Well, the point is that good writing matters. Learning to craft your ideas and opinions into deft prose will give you not only an advantage at the university level, but also a clear voice in the world. You have the powerâ€"just as much as anyone elseâ€"to make your voice heard and get your ideas out there. The only constraint is the vehicle you use to do it. It doesn’t matter what you hope to do in the future; whether you’re planning to become a writer, an artist, a politician, a plumber, an electrician, or a real estate agent, being able to write in a clear and concise way will always give you an extra edge. These days, with most of our communication done via text and email, clear communication is more important than ever. Professionally, people will respond much better to a thoughtfully composed email than to a quick, jargon-filled blast. That kind of language is all well and good on social media, but it’s not acceptable in a professional setting. If you want your clients to see you as professional and educated, no matter what type of business you’re in, communicating in clear and logical text will show them that you value their time. Consider using the writing you have to do in university as a prep course for future success. Take each painstaking essay and group project as a call to action, preparing you for the moment when a carefully composed email might make the difference between being hired or being fired, when a thoughtfully written letter might renew an old friendship or comfort someone in a time of need. Writing at the university level can be an incredible tool to achieve future success, whatever that means to you. Be sure to use it. And hey, if you’re really stuck, we can help with a full range of academic writing solutions. We know you have it in you, but we’re here to help if you need a reminder! Reference: Sutherland, Donald. (2015, July 28) I’m a Canadian ¬â€" and I should have a right to vote The Globe and Mail. Retrieved August 26th, 2015 from Why Good Writing Matters Why Good Writing Matters Why Good Writing Matters Donald Sutherland (you might know him from such little-known films as The Hunger Games and The Dirty Dozen) recently published an article in the Globe and Mail about the Canadian Government’s controversial decision to deny voting rights to Canadians who don’t reside full-time in Canada. His article was shared over 90,000 times, and sparked a debate across multiple news and social media sites. You might think that the days of long form editorial essays are over, replaced by quick texts, abbreviated slang, and 140 character tweets, but thankfully, that’s not the case! Mr. Sutherland’s now infamous contribution to the Globe and Mail only goes to show how much power writing has in our society. His essay sparked a nationwide debate that involved people of all generations. It reminded us that writing still has the power to inspire, educate, and force change on a global scale. You might be thinking: what does this have to do with me? Well, the point is that good writing matters. Learning to craft your ideas and opinions into deft prose will give you not only an advantage at the university level, but also a clear voice in the world. You have the powerâ€"just as much as anyone elseâ€"to make your voice heard and get your ideas out there. The only constraint is the vehicle you use to do it. It doesn’t matter what you hope to do in the future; whether you’re planning to become a writer, an artist, a politician, a plumber, an electrician, or a real estate agent, being able to write in a clear and concise way will always give you an extra edge. These days, with most of our communication done via text and email, clear communication is more important than ever. Professionally, people will respond much better to a thoughtfully composed email than to a quick, jargon-filled blast. That kind of language is all well and good on social media, but it’s not acceptable in a professional setting. If you want your clients to see you as professional and educated, no matter what type of business you’re in, communicating in clear and logical text will show them that you value their time. Consider using the writing you have to do in university as a prep course for future success. Take each painstaking essay and group project as a call to action, preparing you for the moment when a carefully composed email might make the difference between being hired or being fired, when a thoughtfully written letter might renew an old friendship or comfort someone in a time of need. Writing at the university level can be an incredible tool to achieve future success, whatever that means to you. Be sure to use it. And hey, if you’re really stuck, we can help with a full range of academic writing solutions. We know you have it in you, but we’re here to help if you need a reminder! Reference: Sutherland, Donald. (2015, July 28) I’m a Canadian ¬â€" and I should have a right to vote The Globe and Mail. Retrieved August 26th, 2015 from